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				The Industrial Legacy  
				 
				
				 In this outline, mainly due to 
				space considerations, many industries, which could have been 
				seen under different headings, are grouped together under one 
				heading. These include primarily those grouped under earthenware 
				and chemical industries.  
				 
				 
				 
				
				 Documented evidence 
				of 916 at the monastery of San Vincente of Ovideo shows a 
				considerable amount of Arabic expressions describing textile 
				products and items of clothing.[1] 
				These coincide exactly with the introduction of cotton 
				manufacture for the first time into Europe by the Muslims in 
				both Sicily
				, 
				but most of all in Spain under Abd Errahman III (912-961). He, 
				Abd Errahman, also established extensive manufactures of silk 
				and leather.[2] 
				Scott emphasises most particularly the strength and delicacy of 
				texture of the products, and the extraordinary permanence of the 
				dyes employed in the fabrics.[3]Le 
				Bon is categorical that it is from Islamic Sicily that the art 
				of cloth dyeing spread to Europe.[4]Sicily 
				seems to have shared the same expertise as is often the case 
				with most manifestations of Islamic civilisation
				. On 
				the island, the textile factories of Palermo, which had fame 
				under the Muslims carried on under the Normans, of which 
				remnants survive in the regalia of Roger II, preserved in the 
				Treasury of the Holy Roman Empire in Vienna.[5] 
				In the middle of the 12th century, silk industry 
				seems still restricted to Sicily alone, and from there it spread 
				to other regions in the course of the 13th century.[6] 
				It spread to central and northern Italy, Provence
				
				 and finally to northern 
				Germany.[7]Lucca 
				became the great centre of the silk trade but Bologna, Venice
				, 
				Augsburg, Ulm and other cities also raised silk worm or produced 
				silk fabrics.[8] 
				 
				
				  Carpet 
				manufacturing played a major part in furthering Islamic crafts 
				and skills, and also in sharpening Western tastes. It was 
				Eleanor of Castile who brought woven carpets to England
				
				 in 1255 on her marriage 
				to the future Edward I.[9] 
				Gradually the once muddy and straw covered floors left way to 
				carpets as we have today. The Islamic impact stretched further 
				in geographical terms, to the far north, one of the oldest 
				extant Oriental carpets, dating from the early 
				15th century, was found in the village church 
				of Marby in northern Sweden, and there is a whole category of 
				Scandinavian adaptations of Oriental textiles, some of them of 
				Islamic derivations.[10] 
				 
				From 
				the East, Islamic textile products introduced, not just 
				linguistic expressions, but also new varieties of cloth and 
				ideas, such as Damask (from Damascus
				), 
				Fustian from Fustat and Muslin (from Mosul) in which the 
				respective types of textiles were believed to be manufactured.[11] 
				Further legacy in the field, that associates names and objects, 
				includes cotton, divan, sofa, and mattress, as well as 
				baldachin.[12] 
				 
				
				 In respect to 
				technological breakthroughs within the industry, Pacey notes 
				that, along with paper, the magnetic compass, and other 
				innovations, a new type of loom was one of the innovations which 
				appeared in Western Europe soon after 1150.[13] 
				Such textile technology was already in existence in Muslim Spain 
				centuries before appearing in the rest of Western Christendom
				. 
				The early phase lasting from 825 to 925 was marked by two 
				interesting technological innovations, one of them being the 
				horizontal loom, which appeared, together with the use, well in 
				advance of Christian Europe, of silk thread,[14] 
				as in the shroud of Ona, Burgos (datable to sometime around 
				925.)[15] 
				The implications are clear: the horizontal loom was already in 
				use in Al-Andalus at least three centuries before the rest of 
				Europe, giving rise to a weaving industry there.[16] 
				
				Thanks to Pacey’s erudition, it is possible to outline the 
				history of impact in this area, and accept with him, that 
				although, in the use of non human energy, Europe in 1150 was the 
				equal of the Islamic and Chinese
				
				 civilisation, in terms 
				of the sophistication of individual machines, however, notably 
				for textile processing, and in terms of the broad scope of its 
				technology, Europe was still a backward region, which stood to 
				benefit much from its contacts with Islam.[17] 
				A few years before 1150, the first cotton cloth to be woven in 
				West Africa was produced, development indicating that new areas 
				were being drawn into technological dialogue due to events in 
				Spain and nearby areas of Africa.[18] 
				Migration of people with relevant skills was a possible 
				explanation for the different diffusion of many techniques.[19] 
				Documentation of the equipment used is non existent, but 
				deductions can be made from a distribution map of different 
				types of loom in Africa prepared by a specialist on ethnic 
				textile traditions.[20] 
				If we take only the looms used for weaving cotton, and exclude 
				types thought to derive from later European influence, the 
				distribution coincides almost exactly with the areas, which were 
				under Islamic influence by 1150 or soon after; and the vertical 
				cotton loom used in the Mali region of West Africa, and operated 
				only by women, was of a type also found in North Africa.[21] 
				It is possible that looms of this type were in use as early as 
				1150, and that they were introduced into Mali about then as a 
				result of trade with North Africa.[22]In 
				Europe, a new type of horizontal loom was introduced, notably in 
				the Low Countries for weaving woollens, and its great advantage 
				over earlier European looms was that some operations (such as 
				raising and lowering heddles) could now be controlled by foot 
				pedals, thus leaving the weaver’s hands free to pass the shuttle 
				forward and backward; the idea of pedal operation possibly 
				derived from Islamic weaving.[23] 
				However, whilst in Iran, Syria
				, 
				and parts of East of Africa, when pedals were used, the operator 
				sat with his feet in a pit below a fairly low slung loom, in the 
				West, the whole mechanism was raised higher above the ground on 
				a more substantial frame, precisely like looms of this type, 
				which were very widely used in the Islamic part of Spain by 
				1177, and it was probably from here that they were first adopted 
				in Christian Europe.[24] 
					 
						
						
						
						
						
						[1] 
						Aguade Nieto, S., 
						De la sociedad arcaica a la sociedad campesina en la 
						Asturias medieval, Universidad de Alcala de Henares, 
						1988, p. 156. 
						
						
						
						
						
						[2] 
						J.W. Draper: 
						History; op cit; Vol II; p.386. 
						
						
						
						
						
						[3] 
						S.P. Scott: History, Vol II,; p.589. 
						
						
						
						
						
						[4]
						G Le Bon: 
						La Civilisation; op cit; p.233 
						
						
						
						
						
						[5] 
						J.D. Breckenridge: The Two Sicilies; op cit; p.54 
						
						
						
						
						
						[6] 
						M. Erbstosser: The Crusades
						
						
						; 
						op cit; p. 186. 
						
						
						
						
						
						[7] 
						Ibid. 
						
						
						
						
						
						[8] 
						Ibid. 
						
						
						
						
						
						[9]
						John Sweetman: 
						The Oriental Obsession; Cambridge University Press, 
						1987; p.5. 
						
						
						
						
						
						[10] 
						R. Ettinghausen: Muslim Decorative arts; op cit; p. 14. 
						
						
						
						
						
						[11] 
						C. Singer: East and 
						West in retrospect; op cit; p. 764. 
						
						
						
						
						
						[12] 
						R. Ettinghausen: Muslim Decorative arts; op cit; p. 15. 
						
						
						
						
						
						[13] 
						A. Pacey: Technology
						
						; op cit; p. 38. 
						
						
						
						
						
						[14]J. 
						Zozaya: Material Culture
						
						 in Medieval 
						Spain; in  
						V.B. Mann; T.F. Glick; J. D. Dodds: Convivencia; Jews
						
						
						, Muslims, and Christians in Medieval Spain; 
						G. Braziller and the Jewish
						
						 Museum; New 
						York; 1992; pp. 157-74; p. 159. 
						
						
						
						
						
						[15] 
						For the horizontal loom, see: M. Returece: El templen:, 
						primer testimonio del telar horizontal en Europe?’ 
						Bolletin de Arqueologia medieval; 1 (1987); pp. 71-7. 
						
						
						
						
						
						[16]J. 
						Zozaya: Material Culture
						
						; op cit; p. 159. 
						
						
						
						
						
						[17] 
						A. Pacey: Technology; op cit; p. 44. 
						
						
						
						
						
						[18] 
						Ibid. p. 38. 
						
						
						
						
						
						[19] 
						Ibid. 
						
						
						
						
						
						[20] 
						H.L. Roth: Studies in Primitive Looms; 1918; 
						Reprinted Bedford; England
						
						; Ruth Beam; 1077; p. 63. 
						
						
						
						
						
						[21] 
						A. Pacey: Technology
						
						; op cit; pp. 39-40. 
						
						
						
						
						
						[22] 
						Ibid. 
						
						
						
						
						
						[23] 
						Ibid. p. 41. 
						
						
						
						
						
						[24] 
						Ibid. p. 41.  |