Early Islamic Passion for Gardens
and Gardening and its
Source
In the words of garden historians, the inhabitants of
the early Islamic world were, to a degree that is difficult to
comprehend today, ‘enchanted by greenery’.[1]
In ‘a civilisation, which thought of itself as a garden,
gardening was naturally an esteemed art,’ notes Armesto.[2]
‘In a
mountain of lush greenery,’ [says Marcais,] ‘Nature
finds its home. Here, no place
for vegetal mosaics laid on the ground as in
Scott describes how the Muslims:
‘Introduced on a diminished scale the hanging gardens of
From the far eastern parts, on the frontiers with
‘Devotion, if not mania’ for pretty flowers, was prevalent
everywhere, and in their multitude; fondness for tulips in 16th
century
Further to the West, Al-Fustat, Old Cairo
, with its multi-storey dwellings, had thousands of private gardens,
some of great splendour.[13]
‘The
New Kiosq is a palace in the midst of two gardens. In the centre
was an artificial pond of tin (or lead), round which flows a
stream in a conduit, also of tin, that is more lustrous than
polished silver…. All around this tank extended a garden with
lawns with palm trees… four hundred of them… The entire height
of those trees, from top to bottom was carved in teakwood,
encircled with gilt copper rings. And all these palms bore full
grown dates, which in almost all seasons were ever ripe and did
not decay. Round the sides of the garden also were melons… and
other kind of fruit.’[19]
Equally stunned by the eastern greenery were the
incoming crusaders (1095-1291). Dreesbach notes that the
passages from the French literature of the crusading period,
which describe the Orient, show that the things which impressed
themselves on the minds of historian, chronicler and poet were
the richness of gardens and orchards and the fertility of the
fields.[20] Thus, William of
Tyre’s History goes:
‘The
plain of Antioch are full of many rich fields for the raising of
wheat and abounding in springs and rivulets.’[21]
And on the neighbourhood of
‘There
are great number of trees bearing fruits of all kinds and
growing up to the very walls of the city and where everybody has
a garden of his own.’[22]
Crossing into North Africa
, where Islamic gardens
appeared in the 9th century,
[23]
one
learns of a multitude of gardens, surrounding and inside cities
such as
In Spain, writers speak endlessly of the gardens and
lieux de plaisance of Seville
, Cordova and Valencia
; the suburb of Valencia having so many orchards and flower gardens that
the city looked like a maiden in the midst of flowers, the scent
of which perfumed the air;[33] the city was called by
one writer ‘‘the scent bottle of al-Andalus.’[34]
Market gardens, olive groves, and fruit orchards made some areas
of Spain-notably around Cordova,
Like every science, and like every single aspect of
Islamic civilisation, behind the passion and devotion to gardens
and gardening, natural beauty and greenery, was the faith,
Islam, and its central element, the Qur’an. Thus, we read in the
Qur’an:
‘Surely
the God fearing shall be among gardens and fountains.’ (Qur’an
51/15).
‘And
those on the right hand; what of those on the right hand?
Among
thornless lote trees
And
clustered plantains,
And
spreading shade,
And
water gushing,
And
fruit in plenty
Neither
out of reach nor yet forbidden,
And
raised couches.’ (Qur’an 56/27-34)
And equally:
‘But
for him who feareth the standing before his Lord there are two
gardens.
Which
is it, of the favours of your Lord, that ye deny?
Of
spreading branches.
Which
is it, of the favours of your Lord, that ye deny?
Wherein
are two fountains flowing.
Which
is it, of the favours of your Lord, that ye deny?
Wherein
is every kind of fruit in pairs.
Which
is it, of the favours of your Lord, that ye deny?
Reclining upon couches lined with silk brocade, the fruit of
both gardens near to hand.
Which
is it, of the favours of your Lord, that ye deny?
Therein
are those of modest gaze, whom neither man no jinni will have
touched before them.
Which
is it, of the favours of your Lord, that ye deny?
(In
beauty) like the jacinth and the coral stone.
Which
is it, of the favours of your Lord, that ye deny?
Is the
reward of goodness aught save goodness?
Which
is it, of the favours of your Lord, that ye deny?
And
beside them are two other gardens.
Which
is it, of the favours of your Lord, that ye deny?
Dark
green with foliage.
Which
is it, of the favours of your Lord, that ye deny?
Wherein
are two abundant springs.
Which
is it, of the favours of your Lord, that ye deny?
Wherein
is fruit, the date palm and pomegranate
Which
is it, of the favours of your Lord, that ye deny?
Wherein
(are found) the good and the beautiful-
Which
is it, of the favours of your Lord, that ye deny?
Fair
ones, close guarded in pavilions-
Which
is it, of the favours of your Lord, that ye deny?
Whom
neither man nor jinni will have touched before them-
Which
is it, of the favours of your Lord, that ye deny?
Reclining on green cushions and fair carpets.
Which
is it, of the favours of your Lord, that ye deny?
Blessed
be the name of thy Lord, Mighty and Glorious.’
(Qur’an
The expression: ‘Gardens
underneath which rivers flow’ is
the most repeated expression in the Qur’an (thirty seven times)
for ‘the bliss of the faithful.’[43]
Picturesque as the Qura’nic descriptions of the heavenly garden
may be,’ Shimmel holds, ‘we can only imagine what it may be
like.’ Sura 57/21 specifies its extension:
‘And a
Garden the breadth whereof is as the breadth of heaven and
earth…’
and sura (77/41):
‘…Shades and fountains and such fruits as their hearts desire.’
Descriptions of the heavenly garden, which Schimmel
explains, are consistent and give an impression of greenery and
gushing fountains.[44]
Faith and greenery also predominate in the words of
poets, here the Egyptian Dhu’n-Nun (d.859):
‘O God,
I never hearken to the voices of the beasts or the rustle of the
trees, the splashing of the waters or the song of the birds, the
whistling of the winds or the rumble of the thunder, but I sense
in them as testimony to Thy Unity, and a proof of Thy
incomparableness, that Thou art the All Prevailing, the All
Knowing, the All True.’[45]
Yunus Emre, the medieval mystic of Anatolia, in a
little poem, describes
‘Sol cennetin irmaklari
Akar Allah deyu deyu…..
The
rivers all in paradise
Flow
with the word Allah, Allah,
And
every longing nightingale
He
sings and sings Allah, Allah;
The
branches of the Tuba tree
The
tongue reciting the Qur’an,
The
roses there in
Their
fragrance is Allah, Allah…’[46]
Garden historians were prompt to see such connections
between faith and the early Islamic passion for gardening.[47]
When a whole people can
anticipate the paradise of afterlife as a garden, there can be
little doubt about their enthusiasm for gardens on aesthetic
grounds and still less doubt about their high significance in
the every day life of those times, says Cowell.[48]
Ettinghausen, too, notes that:
‘If the
garden was such a ubiquitous art form in the Muslim world, being
both socially and geographically extensive, there must have been
specific reasons for this propensity…’ and first comes ‘the idea
of Paradise as a reward for the Muslim faithful,’ a garden,
descriptions of which have ‘played an important part in the
Muslim cosmography and religious belief.’[49]
Early Muslims everywhere, Watson holds, ‘made earthly
gardens that gave glimpses of the heavenly garden to come.’[50]
Every garden was meant to be a little paradise as Ettinghausen
put it ‘for the happy owner’ carefully protected from the hustle
and bustle of the city and its odours.[51]
The spread of Islam saw many gardens established, since not only
did they provide climatic relief in those parts of the world,
but they granted foretaste of the reward promised to the
faithful, as well as a less spiritual but attractive reflection
of the traditional royal-pleasure garden.[52]
And the earthly visions of Paradise have inspired the
construction of gardens; rivers flowing through paradise helping
architects to conceive the canals as they flow through the
gardens, each part of the garden being in some way a similitude
of Paradise.[53]
Literary and archaeological sources find origins of
gardens as early as the 730s, and stretching to the whole
Islamic world.[54]
In laying out and ornamenting gardens, kings and nobles, rich
and poor, theologians and laymen, all participated with equal
zeal and enthusiasm and, as a result, each villa, each palace
and each town was a delight to the eye.[55] Rulers in the days of
Islam, when not versed into scholarly passion, were equally
passionate about their gardens; they and their surrounding
elites laying out their beautiful gardens in palaces for
recreation both on river bank and in mountain valleys and on
mountain tops, supplying them with water in abundance.[56] Some such gardens had
great splendour, and their renown went beyond their territory,
such as al-Mu'tasim’s gardens at Samarra, Iraq
;[57]
the great royal parks of the Aghlabid emirs of Tunisia
, near Al-Qayrawan
, the famous garden of the Hafsid rulers, also in Tunisia;[58] and the gardens
surrounding the royal palaces at Fez and Marrakech
.[59]
In Cairo
the Mamluk sultan Qalawun
(Qala’un) introduced Syrian plants into his garden in great
variety,[60] whilst Rumarawayh, a
Tulunid ruler in the later 9th century, had in his
garden palm trees, whose trunks were covered with gold; behind
this covering were pipes which brought water up the side of the
trees and sprayed it out from various openings into pools.[61] In the
This passion for gardening extended to the population
at large, the Muslims using the art of planting to beautify
their homes and countryside.[67]
Ettinghausen notes how there were even carefully planned mini
gardens with trees, bushes, flowers and central water basins and
fountains in the courtyards of countless private homes, owned by
men of very limited means.[68]
At Fustat, in old
‘Love
of flowers was a veritable passion among the Spanish Moslems. As
they were the greatest botanists in the world, so no other
nation approached them in the perfection of their floriculture
and the ardour with which they pursued it. The profusion and
variety of blossoms of every description were marvellous and
enchanting; each had a meaning, by which tender sentiments could
be conveyed without the instrumentality of speech; they were
associated with every public ceremony and with the most prosaic
occurrences of domestic life; they dispensed their fragrance
from the priceless vase of the palace; they covered the cottage
of the labourer; they formed the daily decoration of the
luxuriant tresses of the princess and the peasant; their
garlands were the common playthings of the infant.’[71]
Amidst greenery was also found genial creativity. The
Muslims, Gothein says, liked artificial culture, different
fruits on one tree; different grapes on one vine, which they
thought specially pleasing, and they liked to have flowers of
unnatural colours, and to graft a rose upon an almond tree.[72]
In the Tulunid garden (9th century
The garden, a symbol of the promised paradise, has,
thus, become a little earthly paradise in itself. For the early Muslim,
lengthy contemplation of such beauty was enough to replenish
life and chase away its sorrows and stresses. An owner would
take delight in his garden more by sitting on a rug and cushions
in contemplation of his pavilion, than by walking through it.[80]
In front of his palace Rumarawayh, the Tulunid ruler of
Egypt
(r. 884-896), built a pool of
50x50 cubits filled with mercury on which he floated on an air
mattress to cure his insomnia; it was reported to be spectacular
by moonlight. And to enjoy his view, Rumarawayh even built a
domed kiosk in his palace overlooking the bustan (garden) and
the city.[81]
There, inside his artificial
Spanish paradise-the site of Soto de Rojas famous poem[82]
could have been chosen by an Arab-he could enjoy in solitude the
voluptuous pleasure produced by different perfumes, colours and
shapes in endlessly varied combinations: in sum, it was
a place where the refined sensuality of the Muslim
sensibility could find full and perfect expression, says Dickie.[83]
‘It is from this quiet scene of beauty found in the Arabian
court garden,’ Gothein concludes, ‘that their poetry takes its
beginning.’[84]
[1] D. Sourdel: Baghdad
: Capitale du Nouvel empire
Abbaside; Arabica ix (1962; pp. 251-65. D.
Goitein: A Mediterranean
Society; op cit; J. Sourdel Thomine:
La Civilisation de l’Islam (Paris; 1968), J.
Dickie: Nosta Sobre la jardineria arabe en la espana
Musulmane; Miscelanea de estudios arabes y hebraicos
XIV-XV (1965-6); pp 75-86. G. Marcais: Les Jardins
de l’Islam; in Melanges d’Histoire et d’archeologie
de l’occident Musulman; 2 Vols (Alger; 1957), pp
233-44;
[2]
F.F Armesto: Millennium; A Touchstone
Publication, (Simon and Shuster New York; 1995), p.35.
[3] G. Marcais: Les Jardins; op cit; p. 240.
[4]
S. P. Scott: History; op cit; vol 2;
p. 605.
[5]
A. Watson: Agricultural, op cit, p.117.
[6]
Z. Oldenbourg: The Crusades; op cit; p. 476.
[7]
D.R. Hill: A History of Engineering in Classical and
Medieval Times (Croom Helm; 1984), p. 26.
[8]
F.R. Cowell: The Garden as a Fine Art (Weidenfeld
and Nicolson; London; 1978), p. 72.
[9]
Ibid.
[10]
Ibid.
[11]
D.R. Hill: A History of Engineering; op cit; p.
26.
[12]
R. Ettinghausen: Introduction; in The Islamic Garden,
Ed by E.B. MacDougall and R. Ettinghausen (Dumbarton
Oaks; Washington; 1976), p.5.
[13]
G. Wiet:
[14]
J. Lehrman: Gardens
; Islam; in The
[15]
Al-Duri: Tarikh al-Iraq
(
[16]
Yaqut: Muaajam; op cit; vol iv; p. 787.
[17]
In R. Ettinghausen: Introduction; op cit; p. 3.
[18]
M.L. Gothein: A History of Garden Art (Hacker Art
Books; New York; 1979), pp. 146-8.
[19]
E. Herzfeld: Mitteilungen uber die Arbeiten der zweiten
Kampagne von Samarra,’ Der Islam 5 (1914); 198.
[20]
Dreesbach: Der Orient; 1901; pp. 24-36. In J.K. Wright:
The Geographical Lore of the Time of the Crusades
(Dover Publications; New York; 1925), p. 238.
[21]
Historia; IV; 10; Paulin Pari’s edit.; vol I; pp. 134-5
in J. K. Wright: The Geographical Lore; p. 239.
[22]
Historia; XVII, 3; Paulin Pari’s edit.; vol ii; p. 141
in J. K. Wright: The Geographical Lore; p.
239.
[23] J. Lehrman: Gardens
; Islam;
op cit; p. 279.
[24] Torres Balbas: La Ruinas de Belyunes o Bullones; Hesperis Tamuda v
(1957) 275-96; 275 ff; G. Marcais: les Jardins de
l’Islam; op cit.
[25]
J. Lehrman: Gardens
; op cit; p. 279.
[26]
Ibid.
[27]
Leon The African in G. Marcais: les Jardins; op cit; p.
241.
[28] J. Lehrman: Gardens
; Islam;
op cit; p. 279.
[29] In G. Marcais: Les Jardins; op cit; p. 241.
[30]
A. Solignac; p. 382; in A.M. Watson: A Medieval Green
Revolution; op cit; Note 44; p. 56.
[31]
S. Soucek:
[32]
Ibid.
[33]
S.M. Imamuddin: Muslim
[34] Al-Maqqari: Nafh al-Tib; op cit; vol I; p.67;
H. Peres: La Poesie Andaluse en Arabe
Classique au Xiem siecle (Paris; 1953), pp. 115ff.
[35]
W. Durant: The Age of Faith; op cit; p. 298.
[36]
Al-Maqqari in E. Hyams: A History of Gardens
and Gardening
(J.M. Dent and
Sons LTD; London; 1971); p. 82.
[37]
Al-Maqqari: Nafh al-Tib; op cit; pp. 211-2.
[38]
J. Harvey: Medieval Gardens
; op cit; p. 38.
[39]
Al-Maqqari: Nafh al-Tib; vol I; I; pp. 57-8.
[40]
W. Durant: The Age of Faith; op cit; p. 298.
[41]
S.P. Scott: History; op cit; vol 2;
614.
[42]
Al-Maqqari: Nafh al-Tib;
II; p. 360; n. 12.
[43]
A.Schimmel: The Celestial garden in Islam; in The
Islamic Garden, op cit; pp 13-39; at p. 15.
[44]
Ibid; p. 17.
[45]
Ibid; p. 24.
[46]
Yunus Emre Diwani; ed A. Goplinarli (
[47] G. Marcais: Les Jardins; op cit; J. Dickie: Nosta Sobre la jardineria arabe
en la espana Musulmane; Miscelanea de estudios arabes
y hebraicos XIV-XV (1965-6); pp 75-86.
[48]
F.R. Cowell: The Garden as a Fine Art (Weidenfeld
and Nicolson; London; 1978), p. 75.
[49]
R. Ettinghausen: Introduction, op cit, at p. 6.
[50]
A.M. Watson: Agricultural; op cit; p.117.
[51]
R. Ettinghausen: Introduction; op cit; p. 7.
[52]
J. Lehrman: Gardens
; Islam; op cit; p. 278.
[53]
A.Schimmel: The Celestial, op cit; p. 15.
[54]
R. Ettinghausen: Introduction; op cit; p. 3.
[55]
S.M. Imamuddin: Muslim
[56] Ibid.
[57] H. Viollet: Description du Palais de al-Mutassim a Samarra; in Memoires
de l’Academie des Inscriptions et des Belles Lettres;
XII : 1913.
[58]A. Solignac: Recherches sur les installations hydrauliques de kairaouan et
des Steppes Tunisiennes du VII au Xiem siecle, in
Annales de l’Institut des Etudes Orientales, Algiers
, X (1952); 5-273. pp 218 ff; G. Marcais: Les Jardins; op cit; p. 237.
[59] G. Marcais: Les Jardins; op
cit; p. 237.
[60]
Al-Maqrizi, Ahmad Ibn Ali.
Al-Mawaiz wa Alitibar fi dhikr al-Khitat wa-Al-athar.
Edited by Ahmed Ali al-Mulaiji. 3 Vols, (Beirut: Dar al
Urfan. 1959), II; op cit; p. 119.
[61] Ibid; 96.
[62] M. Meyerhof: Sur un traite d’agriculture compose par un sultan Yemenite du
XIV em siecle; Bulletin de l’Institut d’Egypte;
xxv (1942-3) 54-63; xxvi (1943-4); 51-64; (1942-3) p.58;
and (1943-4) pp. 52; 57.
[63]
A. Watson: Agricultural, op cit, p.118.
[64]
S.M. Imamuddin: Some Aspects of the Socio-Economic
and Cultural History of Muslim
[65]
Al-Maqqari:
Nafh al-Tib;
ii: 14-5; H.Peres: Le Palmier en Espagne
Musulmane; In Melanges Geodefroy Demombynes
(Cairo
; 1935-45), pp. 224-39.
[66]
Al-Udhri: Nusus an al-Andalus; ed. Abd al-Aziz
al-Ahwani (
[67]
S.M. Imamuddin: Some Aspects;
op cit; p. 82.
[68]
R.Ettinghausen: The Islamic; op cit; p.5.
[69] G. Marcais: Les Jardins; op cit; p. 236.
[70]
Brunschvig, quoted in G. Marcais: Les Jardins; op cit;
p. 242.
[71]
S.P. Scott: History, op cit,
vol 2;
p.651.
[72]
M.L. Gothein: A History of Garden Art (Hacker Art
Books; New York; 1979), p. 150.
[73]
Ibid.
[74]
Ibid.
[75]
Ibid.
[76]
Ibid.
[77]
Ibid; p. 151.
[78]
Ibid.
[79]
J. Lehrman: Gardens
; Islam; op cit; p. 278.
[80]
Ibid.
[81]
Doris Behrens-Abuseif: Gardens
in Islamic
[82]
Parayso cerrado para muchos, jardines abiertos para
pocos ‘Paradise closed to many, gardens open to
few.’
[83]
J. Dickie: The Islamic Garden; op cit; in The Islamic
Garden (Ed by E.B. MacDougall and R. Ettinghausen)
op cit; pp. 87-106; p. 105.
[84]
M.L. Gothein: A History of Garden Art; op cit; p.
151. |